Sunday, August 4, 2013

First Page

Dear Lord of Words,

Can you please explain the need for myself to spend hours contemplating, writing, reading, and stressing over the first page to my novel?

It's a bit of a drag, if I can be even more frank (don't call my Shirley?), that such a small portion of my story be an impressive consuming sink of brain-power, eye muscle scanning, and typing experience. The fairness of it all escapes me.

Yes, I understand that the first page is what most readers will see when they open the book, well, after they've gotten past the credits, copyright, etc, or are done reading the last page. Of course the beginning should be good -- it has to catch the attention of the reader, setup the character and world, and maybe something else, although I'm not sure. But really, my quality of writing shouldn't need to be substantially more professional or re-worked because of this, right?

Okay, I know what you're thinking. How can I think the first page doesn't need to be perfect? What if it's like the rest of my crappy novel? You've got a point there. But, in that case, shouldn't I just write in the same vein as the remaining content so that I'm not fooling the reader into thinking I'm talented or that they might enjoy the story? I don't want to be sued for false writing-ability.

Shouldn't the cover do more for me? I mean, it's got to be awesome, too!

Right, I'm missing the point, I'm sorry. Then could I at least try less and less from paragraph one on until the end of page one? By then I'm sure my writing will just go seamlessly to normal and the reader won't be caught in the turbulence that is my attempt at providing them a story.

I haven't received your answer yet.

Oh, you were reading my first page? What'd you think? Lord of Words? Mommy...?

So you want to watch it as a movie instead? Crap.


Thursday, May 9, 2013


Sometimes when I read I get lost. Sure, word follows word and punctuation is present. Hey, getting lost can be good, if I meant getting lost in a story such that I was entrenched in the world and lives of the characters. No, I’m talking about when I read a paragraph or — even worse — a sentence, that by the time I get to the end of it I can’t remember what I’d just read or what the point of it was. And this has happened to me during published works, although not as often as drafts.
What if words were the only way we could convey our feelings? I’m talking on a literal level, here. Neither symbolic speech nor non-verbal communication count. (This would be a different world.)
And what if those same words that you typed or write could not be taken back? They would be etched on the stone of eternity for all to see, or at least all who cared to look.
I know that I would think more carefully how I phrased my ideas, opinions, and thoughts in general.
In that world, whether or not you feel the inspiration of your writing flow, or the sludge barely moves from your tips, you would be stuck with it. Tough luck. Would you survive? If you were a writer, would your work see the light of day past your inner-circle?
But, we’re blessed to be able to edit, delete, and revise. Keep your style, sure, but try to be succinct. Losing your reader is the worst thing you as a writer can do.

Wednesday, February 13, 2013

Developing Skills To Write Novels

 A friend of mine recently asked me what the above header so boldly asks (though it isn't a question here).

How did I develop the skills to write novels?
To some degree I think the skill has to be built-in. Perhaps that's a convenient answer.
The programmer in me wants to break this question down into modules, in some order, but not in an official way, so here I go:


When writing creative fiction/non-fiction, it is crucial that I have some sort of landscape of original thinking. If I don't have a creative wave pulling me out to the forgotten, demon-ridden whirlpool of story-land, why should I expect the reader to enjoy reading it? They've already read that last book – they probably won't want to pay money or waste their time reading a crappy duplicate.
Bless your story with genuine articles of your own creative juices. Don't be mad if you find story elements based off of other stories, but be sure that you give it your twist/taste.

Love of Reading

What? No, you don't need that. After all, books are written by magic, and thus no one writes them.
Yet, the want to read has to be there, otherwise why should you (or I), the writer, want others to read it? Anyone who writes a story and publishes it who doesn't love to read did not have a lot of readers. It will show through. Don't make it out to be that love of reading means knowing how to write just like your favorite authors. It only means that you enjoy the act of immersing yourself in a story so much that you want to do so yourself.


Writing a novel requires you to know the story. (Duh!) There are scenes, and beats within those scenes. A collection of scenes will make a chapter, and a series of chapters an arc. And of course, a series of arcs makes a novel.
You have to know what is going to happen, and when. Does this need to be known at creation of the story time? No. You will figure this out as you go, and from draft to draft changes will also be made, even if just slight.
Make your trajectory, and fine tune it as you write. Otherwise, you and your readers (if you have any) will be completely lost.


If you end up quitting, then your story will never be finished.
Some days (or weeks) are so challenging that you question each piece of the story that makes it your own. Given that, it would be easy to accept defeat and forget the project. Sure, you'll have days that rock your world and you want to sing to the world of your greatness, until the next day when your writing is worse than two hillbillies comparing who has more teeth.
Keep going if you want someone to read your piece someday. That may mean changing large elements of the story, and that hurts. But, that pain will be worth it when you complete the novel and see what you've accomplished.


Doing research on your world is crucial. So is learning from your mistakes and improving. If you don't increase your minds-awareness, and/or your characters', then the reader certainly won't feel challenged, either.

When I say your characters learn, that should mean that they are vibrant and think for themselves.
The world you build also has to learn as you write it. Certain events and places may not feel suitable for it, so if that's the case, take them out. Remember what I said about re-doing things? That's where this comes into place. You want to create the most natural fits for your world, even if your world isn't natural at all.
Take the time to get involved with the story, and really care about what happens to it, and your readers will notice, and hopefully end up caring, too.


Even if you never write with another author, you need friends. People can be great, and in that spirit, it is my belief that an ear, a shoulder, eyes balls, or even your own self can be a great remedy to the writing life. Your friends can help you out, and you to them. Learn other styles and stories. Give advice to the others, and listen to others, even if you don't do anything with it. No one knows the secret to writing, so should it hurt to ask around to see if you and your friends can stumble upon it?


This isn't a module, but: believe that your writing matters. If I didn't believe that my writing and my stories have a place in the world, then I probably never would have started doing any of it. It's a compulsion, and the best treatment for it is to keep doing it until you get it out of your system. The best writers never free themselves from the compulsion.

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